Source & Copyright 2009 Arthouse
... what are you a messenger? in: Everyone - the game of death of the rich man. Everyone - Ulrich Tukur, the Paramour - Dorte Lyssewski , Director: Gernot Friedel, Salzburg Festival, 2000. Book: Hugo von Hofmannsthal. The DVD released by arthouse 2009 .storyline on wikipedia->
Before the scene
Everyone is an extremely wealthy man
We stand beside him when he was just back does not show its best side . His handling with borrowers is modest at best. His belief in god , who could remember, for example, to mercy in dealing with weak , he has neglected.
His mom does not a little worried about her son, preventing is the advanced age of about forty still the foundation of a house stand behind short-lived pleasures. wine, women and song he has on 's Panier written.
We observe a feast in which everyone wants to enjoy his life and love suddenly, however, has difficulties to amuse themselves.
Again and again he hears a high Pfeiffton , always l hides the voices calling his name , most recently the Dead bells. Sudden depression and fears he can always break down in the middle of cheerful bustle.
He breaks with his melancholy several times the boisterous sound of the festival, hosted by he is. The stronger the depressive attacks get, the more he tries to maintain its usual pleasures. To the friends, lover, the affinity of singing and enjoying wine.
Suddenly, midst of the feast , is a dark figure behind everyone . the death. (Fig. Displays Ben Becker)
We see the moment stands still for others, they freeze in their gestures, but for everyone and the death clock is ticking.
God sends the death to get to everyone. Now. Here. Today.
The scene
A disembodied cry from behind, loudly, he echoes:
Jeee - the - Maaannn ..
It echoes all over the place.
A second vote from another location
Jeee - the - Maaannn ..
Everyone hears the voices. He listens irritated, the voices change their position, everyone is here, there, after the votes.
third voice.
Jeee - the - Maaannn ..
Suddenly a fourth voice from above. Everyone is startled, looks up.
Jeee - the - Maaannn ..
The votes on the closed square outside the cathedral, cross, cross over everyone's head.
He stopped, trying to protect themselves verkreuzt his arms over his chest. He is afraid. Sweats.
long shot.
We fly with the voices above the roofs of the city of Salzburg, look over the balustrade of the lateral Galleries on roofs and churches, then back, from top down to the Cathedral Square.
is very small because everyone.
Now he drops to his knees, trying to zuzuhalten ears. He doubled over, his head almost touches the ground. We hear he's crying.
silence the voices.
is gently to him, takes his hands from his head.
By God -
section. We
behind the scenes.
We see the actor who plays the butler, the companies. A slender man with dark hair, sharp-cut features and rapid movements, wrapped in a precious bottle-green Doublet, breeches and riding boots, including a white shirt, valuable rings on his hands to emphasize his status. He stands against a pillar and sucks in the last lines of a quick cigarette - his cue is imminent - he pushes the dump in a pocket ashtray. He turns around - is his cue:
everyone.
From where I am called so?
The actor pockets the ashtray while shouting out his first words of the scene on the square, rushes off, crying:
everyone!
The first word comes still smoke like the breath of a dragon out of his mouth.
everyone kneels, holds her ears, tortured. The dinner party, however, is a good mood to laugh.
The company runs to everyone, he laughs, he holds a roll of paper in his hand a list.
The Paramour, a beautiful young woman with blond hair and a cardinal-red party dress it receives
Look, everybody, my good fellow.
welcomes the friendly steward, kisses him on the cheek.
everyone, he is still very concerned that sweaty hair stuck him on the head. To society and to his girlfriend:
love (the lover) and friendship (the Company) says to me,
who calls so awful: Anyone?
The thin cousin would make a joke of the incident. Ironically
has degree you have an echo in the ear you pass by her singing.
everyone pulls himself away from society and Buhle. He is not ready for a joke. Angrily
No, no, - in terrible Weis
He runs between the diners as he call on them to witness, turns around, turns to his cousin:
and powerful - nit gently, like this:
now stands he front of the thin cousin.
Jeeee-of-maaaaannn.
he screams.
The thin cousin scares wants wegfliehen of him.
The Tischgesellschft is still ready for a joke, she's aping:
everyone.
Everyone talks continued undeterred:
foreign and yet familiar at the same time. For what's infernal region has had to say after me cry ....?
soon as he finished with the last word, the chief voices echo back from the off.
Jeeee the mannn.!
Jeeee the mannn.!
subjective camera through the eyes of everybody, the place, society, the palaces turn at breakneck speed by him.
Everyone keeps her ears. The vote
roared above the roofs of the square.
Everyone falls to his knees.
Jeeee the mannn.!
cut to the mistress, she listens.
I hear no sound.
Dicker cousin
... I hear no sound. Not even a faint echo.
Anyone proposing with the hand flat against his head as if to shake out some of Senem ear canal.
society, he wants to reassure him: 'Tis
ears deceit do not look good from
He kneels down beside Anyone who puts his hand on the shoulder
- shall I escort you home?
Everyone laughs, jokingly
How violent on you eyes, so I come back the forces.
I mean, it must zugehn already with the devil, could be such a cry for a second time to raise here.
Sit down dear companion and may all love Gäst'zulangen and ergetzen, let's Best
He can put a white towel over his head and imitating a ghost. Then:
Will tomorrow to maintain the proper time with a doctor consultation, that such coincidences ...
transition in the cathedral. Half-light. The air in the dome is filled with dust and looks like cloudy mist, from which the ceiling lights of the candelabra glow like poor souls in purgatory.
us against a black-clad skeletons comes with a white skull mask and shiny ribbed breastplate - the actor, who embody the same death. The scene, captured from behind everyone's Voice oscillates between backstage atmosphere and a kind of realistic imagery. We almost believe that God sends itself scwarz the man out front of his house with the happy carelessness of the company at table.
From the off
The Buhle:
You gotta promise now, my husband have to pass away so with fear and worry. ...
We see the actor who embodies the death, in the light incense. A black silhouette against blue light steaming fog.
.... I must see you more often then.
transition in the chancel. A broad band of light falls from above into the space in which the Everyone's voice echoes.
Now tell
blending to everyone, he keeps the lover in her arms. Approaching from behind the death. Everyone does not see him yet.
God, my love.
We see behind the death of J emerge from the portal.
burn What the lights dim, then?
Everyone looks into the distance, hugging his lover and kisses him on the neck. He does not notice.
And who comes up behind me?
Death is now just above and behind him
falls on earth so - not a man
Extremely loud, with a metallic undertone, Hall
Ahi!
everyone.
Buhle The aim straight away yet, now is their movement close frozen. Movements of all the guests to stand still. Time stands still for them.
Your courage is so gay. Have your creator forgotten.
depends on everyone to let go of the lover.
to ask what the hour on this?
What do you care who are, who cares?
Death:
from your Creator Majesty, I am sent to you. And as one in haste, so I get up there.
Howsent after me?
He laughs.
Death lays his black hand on everyone's chest.
Jedermann zögert, dann wirft er die Tische vor sich beiseite, er
Stürzt, die Tische fliegen beiseite, Jedermann stürzt die Treppe herunter, fällt auf den Rücken. Does the site on his chest, touched it to the death.
He has to feel the power of death.
He groans:
AIIA ..
Death:
Because whether you give it little honor. In the celestial sphere,
in what he thinks your Weis should you be the same reports.
Everyone
what my God wants me to do?
Death
bill! keep he wants without delay with you.
Everyone
Not at all, I am put unprepared
for such a bill.
Must I do this,
since I came in need
Also I know you nit.
What you are for a bot?
Death is now alone in the middle, we see his arms and legs are black prepared in smooth shiny metal, about a long black cape,
I am your death.
is the time for the lover on now, it reaches everybody's hand. He holds on to her as a dying man. The Buhle frightened tears, loose, screams. Looks at her hand. She felt that she had given to a doomed her hand.
cries Now the whole table society, all flee in all directions, everyone understands that death is entered under them. Everyone wants to save himself. Fast the place is empty.
everyone and death are now alone. The
death I fear no man
pedal to any, and spare None.
holds everyone to focus on themselves. The forces are returning. He sits on a step.
I,
he says angry and strong-willed
I am a powerful rich man
The Sach'soll be postponed.
Death
No.
Everyone
What?
No time do you want to give me and Overdue us without warning since the middle of it in the best life?
'm ready my nit Debt Register is nit so far.
Death
helps here no crying and no prayer, the journey must begin immediately.
Everyone shall be able to wrest the death of one more hour of life to find someone who comes with him before God's throne judge.
An hour glass goes up from the floor. If the sand has run through, everyone's life is over. - His job is to find in this hour advocates who can save him from God's throne of hell.
2000 Ulrich Tukur - Anyone who Dorte Lyssewski - The Paramour, Otto Sander - The death.
http://static .rp-online.de/layout/fotos/457x325/46418-tukurstemberger01P160HighRes.jpg
everyone and the good works
Comments:
- Heino Ferch played several festival days, directed by Hans Neuenfels with Klaus Maria Brandauer (1983 - 89) in the role of Everyone during his studies at the Mozarteum a guest at the dinner party .
in our scenes, he is therefore not linked to text.
is however a review of the Everyone in view of the complete works of HF important because impressions of Everyone were taken reverberate.
- An after-effect, or suggestion for a motive for action in a later film with HF found in the leading role we as in " The lawyer and his guest . In this film five of the seven works of mercy are shown.
long time we could not locate the initial point for this choice of topic. Here it is: Anyone who Salzburg. Everyone ignores the seven works of mercy and experiences the consequences.
- Another after-effect is found in vision - from the life of Hildegard of Bingen (Director: Margarethe von Trotta ).
a.) in the triple sequence: Three ways to cure of disease . The disease melancholy that everyone has infected is to be healed. Are proposed in series:
- a restorative drink of wine and herbs (hellebore, violet, ginger, cinnamon),
- the placing of a semi-precious stone , the Calcedon ,
- and thirdly healing through music , by singing . -
Precisely in this three-step cures of disease, presented in Vision : First, through herbs and wine, Hildegard requires wine with herbs when she is sick, cure of melancholy by covering with chalcedony and finally, the healing of melancholy through song and viols (in Medieval cello) play.
b. ) The role of the devil Salzburg - in the role of Satan in mystery play, the The nuns of the monastery in Vision organize. More on that later.
- - -
offtopic
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Twelve feet without a head.
Starring: (!) Ronald Zehrfeld, Matthias Schweighöfer, Devid Striesow, Jana Pallaske, Detlev Buck - the cast can just go nothing wrong. Elaborate costumes, modern language as a parody-style means. Early evening light entertainment, towards Monty Python.
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The Visitor - A Month in New York. A film like litmus paper for pH - value of our deferred racial and social prejudices. If the film by a German, he was by Jo Baier. If you want to know how it feels when you two hours over from seemingly unknown reason tears Face run - you see it in themselves.
cinema
mammoth. Starring: Gerard Depardieu, Isabelle Adjani, Yolande Moreau.
A beautiful young woman appears behind him, speaks to him, comforts him, hugging him. It is covered in blood and say their fixed eyes, that she is dead. We begin to understand more and more: she was his first love. Mammoth had worked frantically to push away the pain of their loss.
New comfort in his presence makes it possible for him to let go of the old love and adopt. Mammoth is at the end of the film free to address its future.
Then comes on a black background of the guy, Cast & Crew, Credits, etc. - and then the big screen once again bright, sky clouds, one name stands in the middle:
- -
a warm greeting to our constantly returning visitor from Tuvalu ( Poly nesia, 10 000 Inhabitants ).
