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scenes I cinema Tip Russell Crowe's new film latest film: The Next Three Days. Releasedate 20th January 2011




Source flicksandbits.com image rights Lions Gate

homepage of the movie->

gallery for the film to kino.de->

Russell Crowe's new film, Russell Crowe's latest film


Click on the image to start the trailer.

Theatrical Release Germany:
20th January 2011

Premiere Photo Sydney January 2011 ->

film criticism Kino.de:


"
As in" The Uninvited, free " , Elizabeth Banks from her image as a vibrant actress - are probably the best dramatic performance of her career

you and the usual impressive, restrained acting Crowe a credible pair in a family and love drama in the second hour to the thriller. irresistible Spannungssog

developed and very familiar with this reaction patterns not only the refugees but also their pursuers, an observant cop can look smart.

That's great, it deserves to hard cash. "

Text Source: kino.de

Interview With Russell Crowe (in English without a German voice-over) on the role John Brennan - >

photo spread on imdb.de->

homepage of the movie->

Trailer The Next Three Days. ->


Poster The Next Three Days.

Poster The Next Three Days - focus.

Russell Crowe at the premiere in Los Angeles in November 2010 ->

and Mrs. Spencer-Crowe at the premiere in Sydney on 30.01.2011->

remake of Anything For Her / Pour Elle
with Russell Crowe as John Brennan.

Story Line: (quote)

"Life seems perfect for John Brennan until his wife, Lara, is arrested for a gruesome murder she says she didn’t commit.

Three years into her sentence, John is struggling to hold his family together, raising their son and teaching at college while he pursues every means available to prove her innocence.

With the rejection of their final appeal, Lara becomes suicidal and John decides there is only one possible, bearable solution: to break his wife out of prison.

Refusing to be deterred by impossible odds or his own inexperience, John devises an elaborate escape plot and plunges into a dangerous and unfamiliar world, ultimately risking everything for the woman he loves. "

life that seems to John Brennan (Russell Crowe) is perfect until his wife Lara (Elizabeth Banks) is arrested on murder charges. They protested their innocence in vain.

Three years have passed since the sentence passed.

John struggles to keep his family together.

He teaches their son and works as a university lecturer, as he tried by all means, prove to Lara's innocence.

After the final rejection of their past Lara input commits a suicide attempt. They no longer tolerate the prospect of twenty years in prison.

John decides there is only one way, only one viable solution: his wife by force to free from prison.

Neither the minimal chance of success, nor his own lack of experience deter him from to design an elaborate escape plan.

He plunges into a dangerous and unfamiliar world, risks everything for the woman he loves.


image - text and source / copyright: collider.com

Source: www.russellove.altervista.org image rights. Lions Gate

Shooting Report / Background Information (in English) ->


... Our lives are defined by moments ....

... especially the ones ....

.. we never see coming.


.. begins the trailer of the film The Next Three Days.

Seventeen years earlier (1993) are the first words in the movie For the Moment , the young bomber pilot in training Lachlan (Russell Crowe) says:

Audio.mp3-> (0: 10 min)

The trailer of The Next Three Days seems that this to vary words. Youthful confidence at that time - today premonition coming disaster ....

Poster No. 3 ->




Just as we at new cinema films in the TV show "bets ... that?" be applied to travel, the Leading Actors of new films in the U.S. from show to show, chat and promote their film project.

If Russell Crowe is on the way, there's always plenty to laugh.

He is-our humble opinion - a man of surprisingly brilliant eloquence and a very amusing entertainer with a great sense of humor:

Russell Crowe in the Ellen DeGeneres show on 11/17/2010






- - -
Source youtube.de Copyright: Warner Bros.

Source: youtube.de Click on image to view the video

- - -

the liberation motif see: Ludwig van Beethoven: Fidelio.
action Fidelio>
offtopic

- family! - Kitzzzzelttt it! (left with No. 2: Marie-Jeanette Ferch (Nissan-Cup 2010 (horse. Pinturita)
- mine Archives HF at the time of The Wool (about 1997)

Gpsphone Cheats With A Mac

scenes I TV Tip: Master and Commander - The Far Side of The World. Saturday 29 January 2011, 20:10, VOX. Russell Crowe - Captain Jack Aubrey

TV Tip Russell Crowe:

on VOX,

Saturday 29 January 2011, 20:10

and Sunday, 20th

January 2011, 23:13

Source russellove.altervista.org

Master and Commander - The Far Side of the World .

Russell Crowe - Captain Jack Aubrey. (2003) Directed by Peter Weir.

A film like a jewel.

... The sea. The final frontier. It's the year 1798.

These are the voyages of the king's ship Surprise, which is with its 197-strong crew at The Far Side Of The World on the road,

to explore new worlds, new life and new civilizations. ...


watching!

info->

more info->

film criticism in 2010 mannbeisstfilm.de->

.. who wants to have the picture: copy now, the post will be deleted in 14 days ...

The ship's doctor, Dr. Stephen Maturin at work (Paul Bettany)

- - -

How Much Coconut Oil For Popcorn

scenes I. .. No! ... Part 1C in "Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. R.: Ron Howard 2004-05

Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

... No! ... Part 1C in "Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. R. R. Howard 2004-05

<-zurück zu Teil 1B

Listening instead of Reading: Audio.mp3-> to immediately hear

Mae is beside herself, she seems to cry. Again,

You can not work!

your hand is broken!

Jim gets up and goes to the wall. There is a shelf.

Jim

When they see me with the plaster, then I will not because you're right. At the port and not anywhere else.

He reaches the shoe-shine box to the left from his shelf and keep it up.

We make it black.

with shoe polish.

OK?

He wears the box by the handle to Mae and sits back against the old armchair of his wife.

insert. His hand reaches for the polishing cloth and a flat box with shoe polish.

The little Rosy is waking up, going softly to the passage. She watches the scene between Jim and Mae. We see the child, alone and quietly hidden behind a pillar, is afraid. It witnessed his parents in desperation and in great concern, not to survive financially.

Rosy will not forget this moment for the rest of their lives.

Jim opens the can and they are Mae. We hear his breath, we feel he is under pressure. He is excited. Suddenly he stops.

Mae looks at him. does your view his zealous bustle suddenly brought to a standstill.

Mae are tears in his eyes. We see, she wants her husband to say something. Even more words about the situation that he should not do with the color that it has no sense that he ...

She says nothing.

insert on the hands, on Maes hands in plaster and Jim's rights.

Mae reaches for Jim's finger, which is not covered by plaster. We can see their movement: it makes a last attempt fail to respond to Jim's request. At the same time to console her husband, she seems to want to.

section on Jim's face.

That was too much.

Now he is crying. No, he does not break down, he does not even have tears, we see only the helplessness, the pain that he must do this to his wife.

It acts as if he was not only fully aware of the extreme hopelessness of the situation. Furthermore, that this last attempt to simulate work capacity, has only a small chance - it may appear, as if he felt guilty.

cut on Mae.

Mae no longer crying. She lowers her head, looks at it. It has suddenly decided to strong-willed, .

Once again, we look Jim in the face. He seems to want to say something. I can not. His mouth is open, he moves his lips, but we do not hear a word.

We're waiting.

Finally.

He shakes his head. Jim:

I'm so sorry.

Mae, she feels for her husband, but she says.

No.

Not .

not, he should not. He should not think (he should not think), he is to blame.

He is still without support. He cries.

Mae - We see her face close. It pushes away the compassion, determination, jumping forward, against her husband.

From the soft, delicate No of-passion

is a clear word, almost an order:

No!

Jim's eye notices that something is changing. He feels a moment toward their resistance

lowers then his head.

He breathes deeply anxious breaths.

Mae at him, she feels with him, but she stays with her:

No!

She shakes her head resolutely,

No.

She puts her face to his and kissed him.

cut on Rosie, the little daughter. She still looks wide-eyed to their parents. She has just learned about the strength of their mother.

Mae sits on Jim's Lap, as she has always done. She puts her hand on the back of his head (neck), as it has always done. She smiles at him, as before.

A second kiss.

Jim understands that there is no guilt.

That there is nothing to forgive. (That there's nothing to forgive.)

that it just happened.

fate.

Things happen.

Jim wakes up. Quickly does it because he smiles again.

Somehow will continue. Tomorrow, next week and next year. With it (him), with Mae and with the children.

2004 - 2005 Russell Crowe (aged 40) - James J. Braddock, Renee Zellweger - Mae Braddock Ariel Waller - Rosy rosy cheek "Braddock.

RC about his wife in the Jonathan Ross Show May 2010:

"that's why I married the girl."

- -

this time the lesser of two evils is google translate->

Lead Singer Disturbed Piercing

scenes I ... no! ... Part 1B. in: Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. Director: Ron Howard, 2004-05

Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

scenes I ... no! ... Part 1B. in: Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. Director: Ron Howard, 2004-05

<-zurück zu Teil 1A

instead go to part 1C>

Listen Read: Audio.mp3-> to immediately hear

Jim takes his wife to be. He hugs her. Too long to Mae to say that he is completely defeated. Mae probably feels that he is looking to bring in their power for the next few moments.

She still can not see your hand.

She feels that this is not a normal hug. He laid his head on her shoulder, holding on to her. We can look him in the face. Despite the scant light in the room, it is evident is how sad it. After a while Mae strikes him about the neck.

What happened?

He replaces from the embrace. His left hand slides down her back, then he sits up.

hab'das money I do not get it.

Mae and Jim close.

We see in the dim half-light Mae's profile. She has her hands still on his shoulders.

They (They) have not paid me.

He moved restlessly in her hands, she did not look in the face. The news is disastrous. She seems like a dull stupor.

Jim, he dares not even look at his wife's face:

you (They) made the fight invalid

and said it would have been embarrassing.

Now he again seeks eye contact. Mae goes with every movement of her husband as if it were internally very close to him, her face showing no emotion. They apparently tried to stay calm. Jim:

They (They) have taken away from me the license.

Mae opens his mouth, as it lacks air. She moves again nearer to her husband as if they see his face very well, and still wanted to hear something from him. Suddenly ..

- medium long shot. We see the two now in the room .-

want ... they can look down to Jim's hand. Apparently they had tried to take him by the hand and felt the hard plaster.

Jimmy, what happened to your hand?

She raises his arm, he makes it happen. Looking even after the plaster.

is broken again. In three places.

Mae edited by the fingers of the hand casted, it seems almost unable to believe what she sees and feels .

section.

The children, all three in a bed, Howard and Jay together. Mirrored, foot to foot (foot to foot), the youngest, Rosy. All sleep three.

Jim's voice

They said it's over with me, Mae.

Rosy wakes up, while her father says.

have said, I may never fight again.

cut on Mae.

Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

She grabs her breast she (holds her hand to the chest, she closes her eyes for a moment), the eyes

includes Quiet: My God.

Her husband sees her deeply shocked reaction does not, he bent down to the furnace after the fire to see.

Mae settles into a chair. It looks more as if her knees had given way. Thank God there was a chair.

Jim straightens up, puts away the handkerchief with which he had touched the hot handle of the oven door.

Mae sticks to the seat of the chair fes t. She pushes her arms through stiff, shrugs his shoulders as if to keep with all the force posture. Mae:

OK -

Jimmy sits down before her second on a chair. His mouth is open, as he would not be enough air or trying to say something. He looks down, but we feel he listens back to his wife. .... React as it is.

Mae:

Jimmy, if you can not work, can not we pay the electricity bill.

speaks only when Mae, as will be the consequences, he looks up to her. Now, he pressed his lips together, he seems old and gray.

Mae takes his eye, he continues: do not heat

And .

And ....

She hesitates.

... in the grocery store we can not allow write.

.. and ....

Jim's view is different again to the ground. He listens to all this.

... .. we

We have to send away the children.

Now he wakes up, his eyes lurking for her.

you could for a while to my sister and I ...

could ... more sewing accept.

He interrupts. He does not want that. His son had stolen food and home made, for fear that he, too, as other children in his class, is sent away when the parents do not have enough in the house, prepare three meals a day.

Mae!

I do double shifts. Triple. Everything.

He shakes his head and looks away. He will not hear what it says Mae.

We see his hand in plaster , the cast ranges from the fingers to almost for Elle '. The hand is white in his lap.

his words he will never be able to redeem.

He still has not understood correctly, that he can not use his right hand.

Not only because it is in plaster.

The hand is not strong. With broken hand bones, you can not access the pain would leave a faint.

Mae shakes his head:

Jimmy, do not work you can.

Both are loud. Jim will not hear what she says. He leans forward. Your face:

Mae, of course I can work.

Mae is beside herself, she seems to cry. Again,

your hand is broken!

<-zurück zu Teil 1A

to Part 1C>

2004-2005 Russell Crowe (aged 40) - James J. Braddock, Renee Zellweger - Mae Braddock.

Watch Prancer 1989 Movie

scenes .... no .. I Part 1A!. in: Cinderella Man - Cinderella Man. Part 1A Rene Zellweger - Mae Braddock. Director: Ron Howard 2004 - 2005




Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

scenes I .... no! .. Part 1A: Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. Director: Ron Howard 2004 - 2005, Book: Cliff Hollingsworth , Akiva Goldsman (The DaVinci Code, Batman Forever, A Beautiful Mind )

further Part 1B->

Before the scene

The year is 1928 . Location: New York and North Bergen, New Jersey , a borough of New York west of the Hudson River.

James J. Braddock, "Jimmy" Braddock is a professional boxer, he fought successfully Madison Square Garden and lives with his family - Mae, its Mrs. , Howard and Jay, his sons and his youngest, Rosemarie "Rosie " - in a nice house in North Bergen, a suburb of New York's Peninsula.

a time warp us back to New York in the Thirties. The Black Friday 1929 had triggered the Great Depression.

unemployment, grinding poverty, the beautiful house is in the past, the family of five lives in a one bedroom apartment a decaying tenement. The room is more of a shack, as a dwelling. Three children sleep in a bed.

Braddock gets rarely fights. He tried to bring his family as a day laborer at the unload and reload cargo on the docks.

There is a lack of everything. The family suffers from hunger, the bills can not be paid, the electricity is turned off. Despite falling temperatures no money for firewood is available. The coming winter will make it very difficult for the family.

25th September 1933.

James Braddock rises despite a weak (not Sufficiently healed) in healed fracture of the metacarpal in the ring.

He needs the stock market (combat reward), fifty dollars to pay the debt for the bare necessities. The Logical happens.

Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

A right can be just the bone fragment in his hand. Still, he wants to be the scheduled number of laps. The fight was booed, the referee stops.

Braddock get the stock (combat reward) is not. The fight does not take place as. The Boxing Association, he shall withdraw the license as a professional boxer.

Braddock is the only breadwinner of the family. He must be healthy, to keep the family afloat. A broken hand, the withdrawal of combat permission - every money-making impossible.

It is late evening. Braddock's hand was in plaster. He comes home and declare his wife's situation. Hartz IV is unknown, unemployment insurance (unemployment benefit) as well.

Without money, no wood for the Oven, eat without money no electricity, no money, nothing, no milk for the children. The family is left with nothing.

The scene

insert on two hands, slender delicate hands of women. You sew a piece of fabric. The hands belong Mae Braddock, Jim's wife.

We can see, Mae wool skirt and jacket with wool. It's probably cold in the apartment. The camera moves up to Mae's face. At the same moment she turns around to the door. She heard a noise.

view of the apartment door. The door is also the front door. For a moment we see the poverty of the stay.

Exposed brick walls, shelves of stacked beer crates, a shelf replacing the kitchen cabinet. Nevertheless, one feels a woman's hand has tried to produce with so little comfort. The edge of the shelf board is decorated with a white eyelet embroidery, lace Konsolbrett another with a falling out.

on the little console a tiny floor lamp alarm clock with a brass body and mother of pearl dial. It's twenty minutes to twelve in the night.

The door opens, Jim comes . He comes straight out of the fight against Abe Feldman, who has been aborted.

From the moment he looks tense with concern for his wife. The next few minutes are hard. He has placed his jacket over his hand in plaster, so it does not equal the misery (so she will not see the distaster at first glance).

cut on Mae. She stands up.

We catch a glimpse of the remaining space. A wooden shed replaced a storage cabinet, a towel hung over a clothes line, shares a piece from space. In the corner is a large black iron stove, laundry hanging out to dry it.

cut to Jim. His mouth is open, as if to say something. He does not speak. He looks tired and worn out, dark shadows under the eyes, not even hide the soft half-light is possible that he is emaciated, has probably already eaten too little for too long.

He has no say . Mae see immediately that something is wrong. She is his wife.

you need not see the hand, looks at his face that he fear and confusion into the room with. When she says the first word

?...( favorite baby?)

she knows already that bad news are in the room.

He takes his wife and hugged her. ... he hugs her too long to Mae to say that he is completely defeated. Mae feels well that he get to power looking for the next few moments.

She still can not see your hand.

Pic.

2004 - 2005 Russell Crowe (aged 40) - James J. Braddock, the "Bulldog of Bergen ( Wikipedia ), Rene Zellweger - Mae Braddock , his wife.

to Part 1B>

tomorrow's next. Our power is limited after a hard day's work. to read in english language we recommend "the lesser of two evils" the Bing translation .

Gasoline Gift Certificates

scenes I ... people like me ... Part 1D. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. R.: J. Polson 2006-08


Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

... people like me ... Part 1D. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. Director: John Polson 2006-08; book: Emil Stern from the novel by Robert Cormier

Listening instead of Reading: Audio.mp3 -> to immediately hear

<- zurück zu Teil 1C

The scene

Man lustful screams heard from the TV. Cristofuoro pat with a vigorous gesture, the hands on the crumbs that are still stick to your fingers. He takes the rose-colored tablet. Then he had served the food.

Shoulder shot. We see only his head and upper body.

We are below his shoulder level and can therefore not only the walls, but also see the ceiling behind him. White Sheetrock, Neonleuchtkörper.

While he walks, runs the kitchen cupboard of the past us, a space opens.

prevent blinds curtains the view through a glass wall into the suite of rooms behind it - to to a point where the curtain is open.

We understand: we are in a partitioned compartment. In addition, series of similar divisions, separated by glass walls from each other.

A pale pink dressing gown is here with us on an IV pole. As we see in Nachbarkompartment a monitoring screen, understand also the last, that this is apparently the intensive care unit of a hospital.

section.

the bed. We are close to feet.

A young woman lies there.

Pale gray, his eyes nearly closed, smooth combed her hair like frisurlos hospital. A nasal cannula results in the air they breathe supplemental oxygen.

bright flowered nightgown. A touching narrow silk ribbon with bow frames the neck finish. She is wearing appears to be a private shirt, no standard hospital clothing.

The upper bed is carefully covered with a baby blue blanket. The blanket covers the frame, which is their sole support and prevents the stretching of the feet. The tendons would be reduced.

From the TV still lively holiday noise.

We see no Cristofuoros face, the head is outside the picture. Therefore, we observe his gestures more attentive. He pushes the tray on the blanket. When his lifeless left the limp hand of the young woman takes in order to place them on the edge of the tray is clear:

The woman lies in a vegetative state.

Cristofuoro addressed slowly and carefully again, as he would not wake a person sleeping. Without ceremony, he is In addition to his wife on the bed and begins to watch TV. A split long as he settles down, we see the similarity in the expression of man and woman.

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

exhausted.

loaded.

section.

We must now see what the video . The young woman in the pool, it appears, just above us, and carelessly flirts in the camera, it is smooth, happy and very pretty. A row of beads shimmering white teeth when she laughs.

section.

We understand that the young woman from the video is the same person here is on the white sheets and motionless graulippig.

We stand in front of the bed and look both man and woman in the face.

Cristofuoro is not gone along with the cheerful mood of the video (did not follow the cheerful mood in the video). He seems like a constant pain petrified (seems to be petrified in permanent pain).

We hear how the young woman laughs. We see pain and listening pleasure.

Cristofuoro turns away from the screen and the food. He was very hung up esch his wife, but she can not eat, of course. It is his own lunch. It is his nature to share with her the table.

He takes a bite and turns back to the holiday video.

"I take you to my Woman.
I promise to love you, to protect
and comfort.

I promise not to leave thee,
neither good nor in evil days,

neither wealth nor poverty, neither
in health or in sickness, and
you to stay loyal,

- to the death do us part. "

he had said.

".... In sickness and in health,

Until death do us part ... "-

he had said.

time. (Back then).

2006 - 2008/09 Russell Crowe (aged 44) - Detective Cristofuoro, Tanya Clarke - Cristofuoro Jackie, his wife.

2009 Naturalist Beauty Contest

scenes I ... people like me ... part 1C. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristfuoro. R.: J. Polson 2006-08

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

... people like me ..... Part 1C. in: Tenderness - On the trail of the killer. Russell Crowe - Det Cristfuoro. Director: John Polson 2006-08. Book: Emil Stern from the novel by Robert Cormier

<-zurück zu Teil 1B

to Part 1D>

Audio.mp3 listening instead of reading -> to immediately hear

He pushes the chair higher. The leather creaks softly. He directs his attention immediately to a target.

section. We stand behind him and look to him to this point. The television. He is still running from last night. Any disaster movie.

section. The small bedroom . The sun shines a light stripe pattern through the blinds on the bed. One double bed. The floral bedspread is unaffected.

pink-hued walls, also cherry wood furniture, Kommödchen with odds and ends it. woman taste. You get the feeling things were arranged long ago so no one has since moved.

As our man in front of the mirror occurs to button up blue shirt for his officers, we first see his face.

A tired face.

Sad, weary, cheeks appear slightly swollen, the jaunty mustache with the ends pulled down like a long-forgotten sign of masculine self-assertion, which is left over in the face of earlier days.

Even his hair, really nice, thick and wavy, looks as if it were not actual possession of this man, like a wig, which was bought when their wealth nor adapted to the clamping force of a face, we do not see anymore.

The concern that we feel in it seems to expect no end.

He takes a tie, places it around.

section.

a mop of shiny parquet . Street shoes, legs in cloth trousers, a male hands. The camera moves slowly higher.

We recognize our man He wipes on the kitchen floor.

We feel he does so often, his movements are unhurried and with the quiet concentration with which we do things that are familiar to us, we have repeated a million times.

He is now dressed ready. The civil service is short-sleeved blue shirt. In a cream-colored sweater.

grotesque contrast between the domestic Housekeeper activity and his service weapon on your belt. Grotesque, the contrast between his uniform and the petty-bourgeois privacy of a kitchenette.

section. Later.

Two hands of a drawer full of videotapes. All are written by hand.

The friendly guitar music accompanies us again.

long shot. The man before the bureau.

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright violation

We see his apartment. half-light from the window casts a long shadow. Gray carpeting, gray painted walls.

silent Furniture.

One wall is glare. The mirror wall enlarges the room and gives our company man: his reflection, a twin brother, as he correctly in the brown Jacket.

He goes into a squat, opens the next drawer.

section. Close up our man from the beginning. He bends over the drawers. He looks at once old. Had we not better, we would think he is crying. He does not cry. Er_sieht_nur_so_aus. (He just looks that way.) Discover

On Jacket surcharge we the tiny lapel pin that identifies him as a member of the police.

section.

a corridor, all in white. white walls, white radiators, white Linoleum Floor. We follow our man, we only see part of his back and the left hand. He wears a paper bag full of food.

section.

The man, it's Detective Cristofuoro, over. He is not running slow, you feel he has a goal. He looks almost as if he plows his way to meet the goal of internal resistance against an unknown. We feel a kind of wild determination, but also mortis. A rigid, which is necessary to do what he is doing.

His glance, the external environment, the people who go there and hasten, do not perceive. He is probably already thought in any room of the house.

section.

A television, video is the holiday. A young woman skirmished with a dolphin, embraces him, swims to the edge of the pool and flirts happily with the cameraman. The video is set to music, we hear a male voice, without a doubt, it is his Cristofuoros.

section. Close up his hands. To prepare Caprese . Despite the completely tell everyday movements, these hands about its owner.

The way he touches things the very long upper finger joints, tell us a bit of casual Sensibiliät, the targeted speed of movement of some mental alertness and responsiveness.

The camera moves slowly up to Cristofuoros head we have enough time to consider its embonpoint . Somehow - somehow fit the watch movements and the portly belly may not match. Strange. There 's some story.

The utensils of the second row indicate the hospital atmosphere, hygienic solution, disposable gloves, a box of gauze or cotton pads ...

He sprinkled pepper Salt on the Caprese.

medium close-up. Cristofuoro from behind.

All of a sudden he throws the rest of pepper on the shoulder, a gesture of living that you would not have expected him half an hour. re inconsistency. His back. Under the skin muscles seem to tighten, which can come in any case of a desk life (Which can not come from an office life). And then the service weapon. He has not filed here. She puts on a belt.

Man lustful screams heard from the TV.

<-zurück zu Teil 1B

note to Part 1D>

:

The google translation is not good.

The msn translation is a little better but not still good.

How Do You Test For Shingles At The Doctor

scenes I ... people like me ... Part 1B. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. R.: J. Polson 2006-08

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright infringement TRAINING

... people like me ..... Part 1B. in: Tenderness - On the trail of the killer. Russell Crowe - Det Cristfuoro. Director: John Polson 2006-08. Book: Emil Stern from the novel by Robert Cormier

Listening instead of reading: Audio . mp3> Listen to immediately

<-zurück zu Teil A ... to Part C->

Before the scene

Lorelei comes home, takes a shower. She notes: the friend of her mother watching her apparently secretly. We can see her arm, the typical razor-scar self-harm.

Her mother gives her a CD - for the good math. It is the exact same CD that Lorelei has just stolen.

The mother, in search of a new partner who wants to get closer with her current boyfriend, he will move into the apartment completely. We know of Man is not ok

The scene

a windowsill. Then a kitschy glass menagerie of animal-shaped snow balls, souvenirs, a glass dolphin ...

through the window glass, we see a train passing at high speed. The apartment is right next to the railway, as well Loreleis house.

section. Medium long shot.

the room. Conventional furniture conglomeration of petty bourgeois desire for private idyll, two chairs, a small table by the window frame symmetrically. Cherry-colored wood sideboard, a Tiffany imitation it.

on the table a large glass globe with a live fish. He is not dead, but in this ball caught, like all the memories of glass on the window sill.

We are a husband

Closer notice from us. He is in his recliner. In the typical pose in which you lie when you're asleep watching TV.

short-sleeved undershirt, pants, mid-forties, Bauchansatz_beginnings_of_a_paunch, full hair, side parting, mustache.

He acts like someone who until recently was powerful. For some reason, he now seems to be on track to lose more and more.

His eyes are closed. He's asleep.

The voice from the off:

Some people live for their pain . Some people live for their pain.

It's all they've got He is all they have.

We see how the man is breathing, the deep breaths of sleeping people.

section. Close up , head and shoulders. We

stand directly in front of him. Semi-darkness. His head fell back, his face shaded, only from one side he is the brightness of the window.

The voice, his voice

They stay up with it, - you cherish en him

section. Very close up to one eye. We see his brown lashes, not very dense, the light can be one or the other light golden. The eyeball moves. Dream phase.

.. afraid, it might slip away. .. fear he might disappear.

moves now also the eyelid we see how opens the eye. The man awakes.

people like me. They are people like me.

... Dark pupil, veined whites of eyes slightly red. No great movement. The man looks back to where he saw when he opened his eyes. A second later comes unrest in his view

I would love to dream I would love to dream .

The alarm clock rings.

But one way or another ... but no matter what I do -

He turns to the clock, takes him in hand, looks at the dial.

I'm always awake ... I'm always awake.

section. Insert. We see how his hand is the Clock on the Kirschholztischchen side. An old-fashioned machine with a brass body and perlmuttschimmerndem dial.

passing, we recognize some objects on the tabletop.

phone, wrist watch, notepad , wallet, a phone, his service weapon. It is willing, but not reach. This is all he takes every day, and - oh, yes, and yes there is even a photo. We notice it when his hand from the clock withdraw. Half past seven.

The photo shows quite unmistakably him, much younger, slim, with cap and backpack. Beside him, also with a backpack, a pretty young woman, she laughs. They both probably in the trekking holiday, Nepal, or where young people go there so at least the steep green mountains in the background after.

Happy times.

The following are part 1C, 1D

2006-08 Russell Crowe - Det Cristofuoro