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scenes I .... thanks for the warning ... Part B: Robin Hood. Cate Blanchett - Lady Marian. Director: Ridley Scott 2009-10

Source: youtube.de Copyright: Universal Pictures International The images of this posting is only the second trailer of the film, which was published on youtube.de, removed. All images have to http://www.flmszenen.info/ in connection with the work of an independent voice the character of popular scientific claim observed by visual quotations and thus the limits of the Copy rights hotlinking of images is a breach of law. Universal threatens penalties 62000-302000 €.

"... thanks for the warning! ... Part B: Robin Hood 2010th Screenplay: Brian Helgeland, directed by Ridley Scott. Production: Universal pitcures, Imagine Entertainment Brian Grazer, Ridley Scott Free Productions Scott, Fear of God Productions Russell Crowe. 2009th

<-<- zurück zu Teil A

source and embed code: youtube.de pictures of the scene: Min 1:29 to 1:36

The Scene, Part B

Listening instead of reading Audio.mp3-> to listen now

A bower . We are facing a heavy four-poster - state bed oak . The bed, large enough to accommodate a whole family is freshly made and richly furnished with pillows, according to the half-sitting sleeping position, which was common in 1190.

The blanket is folded back: an invitation.

A red Samthimmel spans the luxurious place to sleep and hinterfängt their head.

On the rear wall, a low pointed arch. Its heavy oak door is not far open.

Without them further impose joins Robin. He gives way to the door a little. It looks almost like he wanted as not to disturb. A look at the bed and the other in the room. He stops.

section of Lady Marian.

She stands before the open fireplace where a fire warms the room. She has a garment in her hand, she now throws with an impatient movement. She turns to Robin.

section. Medium long shot.

We're a few steps next to Lady Marian and now see that a fine chiffon scarf, decorated with gold embroidery, the space divides into two halves. The rear

Part contains the bed.

here now is also Robin. He passes over the border, which is the curtain, stops.

Here!

Does the lady and thus shows Robins roost.

cut to the designated body. Now we see that are willing to put the fireplace in the straw between the dogs of the lady a blanket and a pillow.

Robin looks back on the wretched camp . He stops completely calm. Lady Marian rushes past him to the bed side of the curtain. In the passage she stops, turns to Robin.

Robin had surrendered his eyes closed, now he opens it and turns to the to her.

Marian close, it has unfortunately not Friendliness , more determined fighting spirit. The beauty of her hair brown tide, her porcelain complexion and the charm of her half-open laced-up have no chance against her eyes narrowed to slits. She informed her "husband":

I sleep with a dagger.

If you so much as move to touch me, I will sever your manhood.

You understand?

Oops. Do we understand? .. I disconnect you from your masculinity ... has said it.

Cut to Robin.

He understood.

The threat did not intimidate one, he is not even play in condescension or feigned indignation a hierarchy struggle. He stands there so relaxed that we are His body opening, a kind of vulnerability, feel.

One of the big dog licks his hand. The fire crackles

.

With a quiet voice, almost quietly, almost without any hint of irony, he accompanied his words with a polite little nod

Thanks for the warning.

Cut to Robin.

The quiet opposite of aggressive attitude, shoulders relaxed, yes, we also see the laces of the brocade shirt open at the neck, indeed, also recognize the quiet Gleam in his eyes, highlighting the golden reflection of the candlelight, so we feel the attraction of an attitude that repels not are not small, but makes calls not dull or struggles for dominance ...

... so we uh, we ..

.. but what we already know . We are not the Lady .

now this takes a determined gesture, the edges of the curtain ... ...

and - disappeared.

With gesture angrily tearing them drawn the curtain on Robin's face. We hear the little iron rings on the guide rail metal . Pop

section.

We are on the inner side curtain for Lady Marian. Here there is gloom. The curtain, although only chiffon, the room closes the bed of state to the light of the fire.

Cut to Robin.

He goes to his place in the straw , accompanied by dogs.

We hear how he makes known his bed fellows.

Hello, dogs!.

says he wants to and settle.

A look to the curtain can stop him. He straightens up.

Lady Marian has an ignition voltage lit a few candles. Probably without realizing it to be aware, it has thus created a magic lantern for a shadow play that Robin will prepare at least for the eyes is not without pleasure.

We see the silhouette of Lady Marian . She strips off her overdress.

Robin settles in front of the fireplace rested his head on his hand. He is dressed. The great hunting dog that licked his hand before, lies down to him immediately and can scratch themselves.

Robin sees his brittle Conjunx now for the first time how God created them. It verges on the transparent dress over her head. Her waist-length hair is now almost their flood last clothing.

Robin lets his gaze for a moment to rest on the play, then he looks away, turns on his back and closes his eyes. The dog pressed up against him and likes to be liked Robin's hand on his coat.

The dove on the roof ... so what.

section.

- - -

comment dramaturgy (the theory part) - representing the object: The scene is accompanied

subtext Layer of representing objects in the comments during the erotic relationship in the scene.

Part A:

the sword. The sword, the scabbard, the buckets - are in a classic Freudian interpretation, of course, representations of masculinity. Robin considered unsheathed the blade, while he waits of Lady Marian. When he hears them coming, he pushes back the naked sword in the protective sheath .

He is the weapon aside , as he deals with the Lady on both vorzuspiegelndes nuptials - a ploy to convince the servants - has.

Again take the sword of Robin when he is asked to follow the lady in her bower to the nuptials. The inscription Lambs and Lions commented this humorous the role find of the two as husband and wife.

Part B:

The dogs were introduced to us at the end of Part A as a property of the Lady, your hearing, even more, they belong to her, yes, they represent a part of it .

So the subtext is layer of the representative object dog in exact Konterkarierung the text layer, the rejection, denial communicates.

The Hound of the Lady by contrast, which would be in this situation, the obvious .

He approaches to Robin trusting, he licks his hand (istgleich a step closer) he egt l immediately to him, he shares his stock and he can to with great relish by Robins Hand scratch. The object representing dog makes symbolic to the rest of the story a anticipation, we do not intellectually, but should understand very well emotionally.

echoes of the Nibelungenlied:

1. Both the story of Robin Hood, and the Nibelungenlied the genre of heroic epic are assigned to the accents are not the literary power of a natural poet, but stresses the roots of the narrative substance in the oral tradition.

second The localization in Cisalpine forest and the time High Middle Ages give an indicative framework for securities on the Nibelungenlied. Both stories are about 1190 .

third Occasional we find content parallels or similarities: in the Nibelungenlied cherish the dwarfs in the forest a hidden treasure.
As an allusion to the dwarfs can children in the forest recognize that as an adolescent are also a kind of dwarfs.
The treasure that keep these "dwarfs" is freedom, equality, fraternity, explained as Lady Marian at the end of the film then, when she, Robin and the followers with the children - the dwarves in the forest - Abode found.

4th in both stories is playing a special sword a central role . In the Nibelungen saga, it is Balmung, in Robin Hood contains the sword the contract to the heroes : RISE AND RISE AGAIN

UNTIL LAMBS BECOME LIONS.

5th Especially on the relationship Brunhild - Gunther as the above scene with Lady Marian-Robin . Even Bruno, with unusual powers, refused to Gunther, the first night of the nuptials in a similar way, they also forced her husband to wait empty-handed.

Both female characters break with the contemporary role model in terms of independence.

obtained in both cases the man only access to it after he proved his power and ability . In the Nibelungenlied, there are stone's throw, long jump and javelin throw, here is one of Robin Improvement of the conditions expected.
Robin save the estate and all the people who live on it, by bringing back the seeds. The seed grows up to be cereal and ensures the survival of all.

The scene described by us " Thanks for the warning. . "is less than three minutes - the whole film lasts two and a half hours - and yet it is storytelling on several layers text-Acting symbolism packed extremely rich and dense.

<-<- zurück zu Teil A

2009-10 Russell Crowe (aged 45) - Robin Longstride / Sir Robert Loxley, Cate Blanchett - Lady Marian Loxley, Max von Sydow - the venerable Sir Walter Loxley, Marian's father

- - -

offtopic

film tip.

Piano Mania. Some highly talented people are looking for 90 minutes something they can see and hear, we average people do not. We see "the invisible" through their eyes, and hear the inaudible to us through their ears, the perfect tone. ... And go at the end inspired from the movies.
Beautiful Mind see - love, perfection and a small bit of madness.

With Stefan Knüpfer , Lang Lang, Alfred Brendel, Pierre-Laurent Aimard, Till Fellner.

Half Pipe Tech Deck Toys'r'us

television movie scenes I tip Heino Ferch: In the jungle. ARD, Wednesday 06 October 2010, 20:15 clock. Director: Elmar Fischer


Source: http://www.tittelbach.tv/programm/fernsehfilm/artikel-1036.html image rights WDR

Interview with Heino Ferch, Movie -> ( bild.de)

Quote:

" From blue-collar jacket for support from rebellious foreman to erect works - Frank Sperber is lately, within easy reach of the power in his company.

He wants the best out of himself and his buddies of the so-called "boiler". It is rumored that this part of the work will not be held. Are there layoffs? If the boiler is sold? Or made right in the thick? "(...)

to catch the eye and understand - a few TV movies hold such a principle was aesthetic that runs through the story and, as with scenes, situations, and the play of the actor.

Fischer & Co employ different motives and styles: there is a works its way as in the times in which there are red flags looked even better, as is the intro the same with thrill gone to the point, because some mirrors of the German business scandals of recent years in of action again, as betrayal, blackmail, and love are in the game.



fact that the film with all these ingredients does not fall apart, that's the merit of a prudent director. And it is the attention to detail that has made this homogeneity of the inhomogeneous. A strong, vital, gripping film "

End of quote. Author: Rainer Tittelbach->



portrait Ronald Zehrfeld on monstersandcritics.de->
to pr-emami.de->

portrait Ina Weisse (Wikipedia) ->

- - -

How Quickly Does Viroptic Work

scenes I ... I expect someone .... in: Kennedy's brain. Part 4B. Heino Ferch - Dr. Holloway, Director: Urs Egger, 2009 - 10



image source and Bildrec hte ARD Degeto 2009

... I expect someone .... in: Kennedy's brain. Part 4B. Heino Ferch - Dr. Holloway, music by Marius Ruhland, Director: Urs Egger, 2009 - 2010

<-<- zurück zu Teil 4A

Louise holds the cocked gun clasped in both hands and aimed at the extended arm on Stoor. The second bell, they can become unsafe. What to do?

Stoor, pleading and even in a little impatient:

I am waiting for someone ...

He urges:

Please! I expect here is a lady.

Louise carefully goes a few steps to the side. The weapon is aimed at Stoor. Stoor raises his hands, tried appeasement. Many steps to Louise by the apartment door. We see him disappear from the image. Louise remains in the doorway of one of the next room, slowly lowers the gun.

you breathe out - fatigue after exertion - and hiding now so far behind the doorframe of the room, that they of course can not be noticed immediately.

We see Stoor, he looks after her while he opens the door with his left hand. He takes a step backwards ...

... and screams.

We see how high flying scraps of fabric from his chest, listening to two shots.

Louise pulls you close up on the eyes, horrified, disappears in the room.

cut on Stoor.

He falls to the ground.

look to the door. A large man came running out. Dressed in black, black gloves, zurückgegeeltes hair. With his left hand he holds a young woman. He pushes her a black hand over her mouth, she pressed against his shoulder, forcing them to move half-way back to him. The rights we can not see, but says his attitude, he does not always Stoor.

cut back on Louise. Her terror tells us that obviously really happens, what we see. The intruder throws the woman next Stoor on the knee. As she falls, he pulls out the gun and fired twice. The silencer makes the shots aufpfeifen dull, we see the muzzle flash.

The man near, he turns his head. Apparently he heard a noise. Louise was not quiet enough.

The man seeks the living room, looks around slowly. The other rooms. Now he begins to walk towards Louise. She turns around. She seems to run into a room. Silence. Your hair glides through the picture, then we'll see how it expresses itself in a window frame. Their fear is so great that she moans softly.

The man comes closer, raises the gun. He is close to the door frame.

We look through his eyes, he scans the surrounding area. Come closer. Can the jamb behind. The bedroom opens to full width. He sees Louise with a gun in his hands. She draws back a step.

a shot.

Louise burst image.

A wall mirror. The man had held Louise's reflection of reality.

section.

We in the room with Louise. We see them behind a curtain . In the doorway of the killers. He still aims at the point where just the mirror Louise Picture emerged.

As the man turned away from the mirror endeavors to cut off to Louise, she shoots. The shot was deafening. We see the Schmauch pull out of the muzzle of the gun. Louise ducks during the shot.

The man collapses like a bear after the shoulder shot. His weapon is sliding across the floor.

section.

later, when Louise is waiting for the police, she looks down at the door Hakansson. He looks up to the apartment. We sense: The killer came on his behalf. He should get the insider and Louise to eternal silence.

After the scene.

Louise will be for days at the police station held until it is clear that they acted in self-defense. Louise, the police can not move to investigate further after the links between the pharmaceutical manufacturers Roeprox and human trials in Mozambique. Not enough evidence, enough evidence. A final conversation with Hakansson ends with the sad result:

The end justifies the means.

In this case, the purpose of developing an AIDS vaccine, which protected the inventor country, Sweden by Roeprox worldwide licenses and billions in profits. Holloway and Xei-Xei were just cogs in this machinery. Suicide? Hakansson had to be killed Holloway, as Xei-Xei was too hot.

2009-10 Heino Ferch (aged 46) - Dr. Holloway, Iris Berben - Louise Cantor, an archaeologist and mother of the investigative Henrik Cantor, Michael Nyqvist - Lars Hakansson, Swedish diplomat in Mozambique

homepage of the movie->

Comments:

1. are similarities in the plot material is about: The Trojan Horse . "Son reporter Helen Madigan (Greta Scacchi ) uncovering elements of political intrigue as she follows leads into the murder of her estranged; " in both cases, covers a courageous woman, an archaeologist here, the mother of an investigative Journalists, in The Trojan Horse an investigative journalist and mother also the background to the murder of her son.
   
   This is abuse of power by illegal human experiments, made possible by the power differential Europe - Third World country in the Trojan Horse is about abuse of power (" President Stanfield ( Tom Skerritt ) using any means necessary to justify an invasion of Saudi Arabia in order to halt China's oil supply . ") to gain access to oil resources.


2. echoes of motives of the film The Insider with Al Pacino in the role of investigative journalists and Russell Crowe in the role of an insider, the whistleblower, are suggestively felt in the figure of the Insiders Stoor and also in the setting that introduces the chapter on "Insider": the plot begins in two cases with a view from inside the tissue of a substance, of the blind the Progatonisten is to recognize the identity of the other parties can not.
   
3. in min 68, Part 2, as Louise Cantor from the pharmaceutical company Roeprox waiting for the Insider, we hear background music, which points out quite distinctive in Tom Tykwer's film music style, as in hibernators .


4. under the producer Dr. Matthias Ash HF had the movie "Coma - between life and death" was filmed.

<-<- zurück zu Teil 4A

Hello Kitty Shower Curtain In German

scenes I .... a new clinic? ... In: Kennedy's brain. Part 4A. Heino Ferch - Dr. Holloway. Director: Urs Egger, 2009-10


image source and Bildrec hte ARD Degeto 2009

Before the scene

to Part 4B> ->

Louise was asked by a Mozambican intelligence group to install on her visit with Dr. Holloway a listening microphone.

She had made it. A fact that turns out for them as life-saving.

night, just as the two women, Lucinda and Louise, away from Dr. Holloway drive into town, they stopped by a police roadblock. She was locked in a prison car, drives a piece, they were dragged out, throwing bags over their head, they are captivating.

Suddenly shots ... The police were not police officers. From the darkness was opened to the group machine gun fire. The two women survived. Their liberators are the men from the secret service.

Holloway had ordered by phone to kill the women. The microphone had listened to the call interception.

You drive to Holloway.

Source & Copyright: http://www.tvdigital.de/

He is obviously dead suicide.

Louise learns that an insider, an informant of the Swedish pharmaceutical manufacturer Roeprox, Henrik was in contact with.

her dead son Henry had researched: the mozambiquanischen population was tested in Xei-Xei a vaccine against AIDS in the human experiment.

The vaccine Roeprox came from.

Louise finds the whistleblower of Roeprox and seek him in his apartment in Sweden ....

The scene

Louise has been following the man of Roeprox from the main output of the company, and to his apartment. She is sitting in the car and see how the man disappears into a stately stucco facade Gründerzeitbau. Shortly after that goes to the first floor of the light.

Louise gets out of her Rover Defender . We see how she pocketed a revolver.

It replaces the golden brass plate with the name to the reveal of the doorway. Under the brass plate green pilot light of a number keypad. The input is electronically.

Louise's look at the name remains inconclusive. As the whistleblower is, she's not white. It remains thinks, then goes a few steps away from the front door.

you pulls out her cell phone and calls Hakansson.

She informs him that the vaccine from Sweden comes from Röprox. Henrik's informant, she says, was an insider. She wants to enter the house against Hakansson will.

Before ringing, it is Hakansson the address of the Insiders.
Louise rings tentatively on the first floor, with Stoor. On the first floor yes, the lights were addressed after the man had disappeared in the house.

hums the strike. She walks up the stairs.

Above is the front door open.

She knocks.

is heard: pure

Come, Tiffany.

you go in, softly closes the door from the inside.

She looks around. A man with a bottle of wine in hand runs past the hallway, stops abruptly. He sees Louise, shows off the wine. The man, a massive mid-forties, casually in shirts surprised:

Who .. who are you?

Louise, she has entered the flat in the mantle, has indeed stressed, but determined.

I need to talk to you about my son, Henrik Cantor.

She is obviously very excited, her lips pressed together, enters nervously from one foot to the other. We hear her breathing. She has obviously scared, but tries to remain calm. Her voice does not jump into the high register that would signal the stress.

The man hesitated a moment

Henrik Cantor.

He seems to think. Then, his index finger pointing to the apartment door:

Did anyone see you come in here?

Louise also considered a moment. Then she says the truth.

No.

you make a restless movement of the shoulders, as they would flee. Of course, it will stop.

The man has returned with a pushing away gesture with both hands:

I'm not going to talk to you, I ....

Again, he indicated to the door

undzwar Please go to the site, please.

Louise deviates no Milli Menter. Her hands move restlessly in his pockets.
Louise:

you work at Röprox. They have provided my son with information.

Quiet:

I can prove it.

cut on the man he is now back legs, sits up. Again he points with his index finger to the door.

Tell me, what does the whole thing here. I would have said they will disappear, you can not just have a march here Sun

The man makes two or three steps to Louise.

cut on Louise.

She makes a lunge from his coat pocket and pulls out the gun.

The man goes back immediately. He seems to understand with clear knowledge that he life is in danger. The woman before him is so beside himself, that they could pull the trigger.

He takes a few steps backward. Louise pushed forward. She is so excited that her upper lip became white. Now she holds the gun with both hands securely fixed on the man goes, gradually up to him:

Röprox produces a vaccine and leaves him in Xei Xei-test in human trials.

Is that correct?

No answer, the man tried to escape. Louise louder

Is that right?

The man, he falls into her word: Yes

. Yes, yes.

Yes, yes, it's true what you say.

He closes his eyes, trying to bring Louise with a reassuring gesture to a halt. Louise pushed further in his direction.

Why did my son ... then .... sent only to South Africa.

The man:

Because I can ... I knew at that time .. I just knew that we had a distribution warehouse in Cape Town.

I have I learned from Xei-Xei only when they did close the store.

Louise looks down a vehicle drive up.

But as far as I know, are already tuned to a new location.

Louise must be different from their view of the street bring back only in the room. We see them about who's down there. Louise:

A new hospital?

What do you know?

The man:

Nothing. Nothing accurate. I will not I involved in such actions. This is ah .. There's one who arranged everything for the company.

The Holloway has brought this into the boat and picked Xei-Xei as a location. And he probably gesortgt also ensure that the clinic was not made tight and .... And they start again somewhere else.

Louise realizes that she has to look no further. You must find those who for the vaccine project responsible. Maybe she will get from the man in front of her information. You can drop the weapon. The situation is now calmer. Louise:

And who is it?

It rings.

Louise raises once again the gun on the man this, in an impatient tone.

I do not know. The sole is in contact with him as my boss.

It rings again.


part 4B is coming soon.

Heino Ferch (aged 45) - Dr. Christopher Holloway, Iris Berben - Prof. Louise Cantor, Johan Rabaeus - Potter Stoor, the whistleblower, Andrew Wilson - Henrik Cantor, Louise's son

to Part 4B> ->