Watch Prancer 1989 Movie

scenes .... no .. I Part 1A!. in: Cinderella Man - Cinderella Man. Part 1A Rene Zellweger - Mae Braddock. Director: Ron Howard 2004 - 2005




Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

scenes I .... no! .. Part 1A: Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. Director: Ron Howard 2004 - 2005, Book: Cliff Hollingsworth , Akiva Goldsman (The DaVinci Code, Batman Forever, A Beautiful Mind )

further Part 1B->

Before the scene

The year is 1928 . Location: New York and North Bergen, New Jersey , a borough of New York west of the Hudson River.

James J. Braddock, "Jimmy" Braddock is a professional boxer, he fought successfully Madison Square Garden and lives with his family - Mae, its Mrs. , Howard and Jay, his sons and his youngest, Rosemarie "Rosie " - in a nice house in North Bergen, a suburb of New York's Peninsula.

a time warp us back to New York in the Thirties. The Black Friday 1929 had triggered the Great Depression.

unemployment, grinding poverty, the beautiful house is in the past, the family of five lives in a one bedroom apartment a decaying tenement. The room is more of a shack, as a dwelling. Three children sleep in a bed.

Braddock gets rarely fights. He tried to bring his family as a day laborer at the unload and reload cargo on the docks.

There is a lack of everything. The family suffers from hunger, the bills can not be paid, the electricity is turned off. Despite falling temperatures no money for firewood is available. The coming winter will make it very difficult for the family.

25th September 1933.

James Braddock rises despite a weak (not Sufficiently healed) in healed fracture of the metacarpal in the ring.

He needs the stock market (combat reward), fifty dollars to pay the debt for the bare necessities. The Logical happens.

Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer

A right can be just the bone fragment in his hand. Still, he wants to be the scheduled number of laps. The fight was booed, the referee stops.

Braddock get the stock (combat reward) is not. The fight does not take place as. The Boxing Association, he shall withdraw the license as a professional boxer.

Braddock is the only breadwinner of the family. He must be healthy, to keep the family afloat. A broken hand, the withdrawal of combat permission - every money-making impossible.

It is late evening. Braddock's hand was in plaster. He comes home and declare his wife's situation. Hartz IV is unknown, unemployment insurance (unemployment benefit) as well.

Without money, no wood for the Oven, eat without money no electricity, no money, nothing, no milk for the children. The family is left with nothing.

The scene

insert on two hands, slender delicate hands of women. You sew a piece of fabric. The hands belong Mae Braddock, Jim's wife.

We can see, Mae wool skirt and jacket with wool. It's probably cold in the apartment. The camera moves up to Mae's face. At the same moment she turns around to the door. She heard a noise.

view of the apartment door. The door is also the front door. For a moment we see the poverty of the stay.

Exposed brick walls, shelves of stacked beer crates, a shelf replacing the kitchen cabinet. Nevertheless, one feels a woman's hand has tried to produce with so little comfort. The edge of the shelf board is decorated with a white eyelet embroidery, lace Konsolbrett another with a falling out.

on the little console a tiny floor lamp alarm clock with a brass body and mother of pearl dial. It's twenty minutes to twelve in the night.

The door opens, Jim comes . He comes straight out of the fight against Abe Feldman, who has been aborted.

From the moment he looks tense with concern for his wife. The next few minutes are hard. He has placed his jacket over his hand in plaster, so it does not equal the misery (so she will not see the distaster at first glance).

cut on Mae. She stands up.

We catch a glimpse of the remaining space. A wooden shed replaced a storage cabinet, a towel hung over a clothes line, shares a piece from space. In the corner is a large black iron stove, laundry hanging out to dry it.

cut to Jim. His mouth is open, as if to say something. He does not speak. He looks tired and worn out, dark shadows under the eyes, not even hide the soft half-light is possible that he is emaciated, has probably already eaten too little for too long.

He has no say . Mae see immediately that something is wrong. She is his wife.

you need not see the hand, looks at his face that he fear and confusion into the room with. When she says the first word

?...( favorite baby?)

she knows already that bad news are in the room.

He takes his wife and hugged her. ... he hugs her too long to Mae to say that he is completely defeated. Mae feels well that he get to power looking for the next few moments.

She still can not see your hand.

Pic.

2004 - 2005 Russell Crowe (aged 40) - James J. Braddock, the "Bulldog of Bergen ( Wikipedia ), Rene Zellweger - Mae Braddock , his wife.

to Part 1B>

tomorrow's next. Our power is limited after a hard day's work. to read in english language we recommend "the lesser of two evils" the Bing translation .

Gasoline Gift Certificates

scenes I ... people like me ... Part 1D. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. R.: J. Polson 2006-08


Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

... people like me ... Part 1D. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. Director: John Polson 2006-08; book: Emil Stern from the novel by Robert Cormier

Listening instead of Reading: Audio.mp3 -> to immediately hear

<- zurück zu Teil 1C

The scene

Man lustful screams heard from the TV. Cristofuoro pat with a vigorous gesture, the hands on the crumbs that are still stick to your fingers. He takes the rose-colored tablet. Then he had served the food.

Shoulder shot. We see only his head and upper body.

We are below his shoulder level and can therefore not only the walls, but also see the ceiling behind him. White Sheetrock, Neonleuchtkörper.

While he walks, runs the kitchen cupboard of the past us, a space opens.

prevent blinds curtains the view through a glass wall into the suite of rooms behind it - to to a point where the curtain is open.

We understand: we are in a partitioned compartment. In addition, series of similar divisions, separated by glass walls from each other.

A pale pink dressing gown is here with us on an IV pole. As we see in Nachbarkompartment a monitoring screen, understand also the last, that this is apparently the intensive care unit of a hospital.

section.

the bed. We are close to feet.

A young woman lies there.

Pale gray, his eyes nearly closed, smooth combed her hair like frisurlos hospital. A nasal cannula results in the air they breathe supplemental oxygen.

bright flowered nightgown. A touching narrow silk ribbon with bow frames the neck finish. She is wearing appears to be a private shirt, no standard hospital clothing.

The upper bed is carefully covered with a baby blue blanket. The blanket covers the frame, which is their sole support and prevents the stretching of the feet. The tendons would be reduced.

From the TV still lively holiday noise.

We see no Cristofuoros face, the head is outside the picture. Therefore, we observe his gestures more attentive. He pushes the tray on the blanket. When his lifeless left the limp hand of the young woman takes in order to place them on the edge of the tray is clear:

The woman lies in a vegetative state.

Cristofuoro addressed slowly and carefully again, as he would not wake a person sleeping. Without ceremony, he is In addition to his wife on the bed and begins to watch TV. A split long as he settles down, we see the similarity in the expression of man and woman.

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

exhausted.

loaded.

section.

We must now see what the video . The young woman in the pool, it appears, just above us, and carelessly flirts in the camera, it is smooth, happy and very pretty. A row of beads shimmering white teeth when she laughs.

section.

We understand that the young woman from the video is the same person here is on the white sheets and motionless graulippig.

We stand in front of the bed and look both man and woman in the face.

Cristofuoro is not gone along with the cheerful mood of the video (did not follow the cheerful mood in the video). He seems like a constant pain petrified (seems to be petrified in permanent pain).

We hear how the young woman laughs. We see pain and listening pleasure.

Cristofuoro turns away from the screen and the food. He was very hung up esch his wife, but she can not eat, of course. It is his own lunch. It is his nature to share with her the table.

He takes a bite and turns back to the holiday video.

"I take you to my Woman.
I promise to love you, to protect
and comfort.

I promise not to leave thee,
neither good nor in evil days,

neither wealth nor poverty, neither
in health or in sickness, and
you to stay loyal,

- to the death do us part. "

he had said.

".... In sickness and in health,

Until death do us part ... "-

he had said.

time. (Back then).

2006 - 2008/09 Russell Crowe (aged 44) - Detective Cristofuoro, Tanya Clarke - Cristofuoro Jackie, his wife.

2009 Naturalist Beauty Contest

scenes I ... people like me ... part 1C. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristfuoro. R.: J. Polson 2006-08

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright Verletzungung

... people like me ..... Part 1C. in: Tenderness - On the trail of the killer. Russell Crowe - Det Cristfuoro. Director: John Polson 2006-08. Book: Emil Stern from the novel by Robert Cormier

<-zurück zu Teil 1B

to Part 1D>

Audio.mp3 listening instead of reading -> to immediately hear

He pushes the chair higher. The leather creaks softly. He directs his attention immediately to a target.

section. We stand behind him and look to him to this point. The television. He is still running from last night. Any disaster movie.

section. The small bedroom . The sun shines a light stripe pattern through the blinds on the bed. One double bed. The floral bedspread is unaffected.

pink-hued walls, also cherry wood furniture, Kommödchen with odds and ends it. woman taste. You get the feeling things were arranged long ago so no one has since moved.

As our man in front of the mirror occurs to button up blue shirt for his officers, we first see his face.

A tired face.

Sad, weary, cheeks appear slightly swollen, the jaunty mustache with the ends pulled down like a long-forgotten sign of masculine self-assertion, which is left over in the face of earlier days.

Even his hair, really nice, thick and wavy, looks as if it were not actual possession of this man, like a wig, which was bought when their wealth nor adapted to the clamping force of a face, we do not see anymore.

The concern that we feel in it seems to expect no end.

He takes a tie, places it around.

section.

a mop of shiny parquet . Street shoes, legs in cloth trousers, a male hands. The camera moves slowly higher.

We recognize our man He wipes on the kitchen floor.

We feel he does so often, his movements are unhurried and with the quiet concentration with which we do things that are familiar to us, we have repeated a million times.

He is now dressed ready. The civil service is short-sleeved blue shirt. In a cream-colored sweater.

grotesque contrast between the domestic Housekeeper activity and his service weapon on your belt. Grotesque, the contrast between his uniform and the petty-bourgeois privacy of a kitchenette.

section. Later.

Two hands of a drawer full of videotapes. All are written by hand.

The friendly guitar music accompanies us again.

long shot. The man before the bureau.

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright violation

We see his apartment. half-light from the window casts a long shadow. Gray carpeting, gray painted walls.

silent Furniture.

One wall is glare. The mirror wall enlarges the room and gives our company man: his reflection, a twin brother, as he correctly in the brown Jacket.

He goes into a squat, opens the next drawer.

section. Close up our man from the beginning. He bends over the drawers. He looks at once old. Had we not better, we would think he is crying. He does not cry. Er_sieht_nur_so_aus. (He just looks that way.) Discover

On Jacket surcharge we the tiny lapel pin that identifies him as a member of the police.

section.

a corridor, all in white. white walls, white radiators, white Linoleum Floor. We follow our man, we only see part of his back and the left hand. He wears a paper bag full of food.

section.

The man, it's Detective Cristofuoro, over. He is not running slow, you feel he has a goal. He looks almost as if he plows his way to meet the goal of internal resistance against an unknown. We feel a kind of wild determination, but also mortis. A rigid, which is necessary to do what he is doing.

His glance, the external environment, the people who go there and hasten, do not perceive. He is probably already thought in any room of the house.

section.

A television, video is the holiday. A young woman skirmished with a dolphin, embraces him, swims to the edge of the pool and flirts happily with the cameraman. The video is set to music, we hear a male voice, without a doubt, it is his Cristofuoros.

section. Close up his hands. To prepare Caprese . Despite the completely tell everyday movements, these hands about its owner.

The way he touches things the very long upper finger joints, tell us a bit of casual Sensibiliät, the targeted speed of movement of some mental alertness and responsiveness.

The camera moves slowly up to Cristofuoros head we have enough time to consider its embonpoint . Somehow - somehow fit the watch movements and the portly belly may not match. Strange. There 's some story.

The utensils of the second row indicate the hospital atmosphere, hygienic solution, disposable gloves, a box of gauze or cotton pads ...

He sprinkled pepper Salt on the Caprese.

medium close-up. Cristofuoro from behind.

All of a sudden he throws the rest of pepper on the shoulder, a gesture of living that you would not have expected him half an hour. re inconsistency. His back. Under the skin muscles seem to tighten, which can come in any case of a desk life (Which can not come from an office life). And then the service weapon. He has not filed here. She puts on a belt.

Man lustful screams heard from the TV.

<-zurück zu Teil 1B

note to Part 1D>

:

The google translation is not good.

The msn translation is a little better but not still good.

How Do You Test For Shingles At The Doctor

scenes I ... people like me ... Part 1B. in: Tenderness On-the trace of the killer. Russell Crowe - Det Cristofuoro. R.: J. Polson 2006-08

Source & Copyright: Lions Gate Entertainment. Hotlinking is a copyright infringement TRAINING

... people like me ..... Part 1B. in: Tenderness - On the trail of the killer. Russell Crowe - Det Cristfuoro. Director: John Polson 2006-08. Book: Emil Stern from the novel by Robert Cormier

Listening instead of reading: Audio . mp3> Listen to immediately

<-zurück zu Teil A ... to Part C->

Before the scene

Lorelei comes home, takes a shower. She notes: the friend of her mother watching her apparently secretly. We can see her arm, the typical razor-scar self-harm.

Her mother gives her a CD - for the good math. It is the exact same CD that Lorelei has just stolen.

The mother, in search of a new partner who wants to get closer with her current boyfriend, he will move into the apartment completely. We know of Man is not ok

The scene

a windowsill. Then a kitschy glass menagerie of animal-shaped snow balls, souvenirs, a glass dolphin ...

through the window glass, we see a train passing at high speed. The apartment is right next to the railway, as well Loreleis house.

section. Medium long shot.

the room. Conventional furniture conglomeration of petty bourgeois desire for private idyll, two chairs, a small table by the window frame symmetrically. Cherry-colored wood sideboard, a Tiffany imitation it.

on the table a large glass globe with a live fish. He is not dead, but in this ball caught, like all the memories of glass on the window sill.

We are a husband

Closer notice from us. He is in his recliner. In the typical pose in which you lie when you're asleep watching TV.

short-sleeved undershirt, pants, mid-forties, Bauchansatz_beginnings_of_a_paunch, full hair, side parting, mustache.

He acts like someone who until recently was powerful. For some reason, he now seems to be on track to lose more and more.

His eyes are closed. He's asleep.

The voice from the off:

Some people live for their pain . Some people live for their pain.

It's all they've got He is all they have.

We see how the man is breathing, the deep breaths of sleeping people.

section. Close up , head and shoulders. We

stand directly in front of him. Semi-darkness. His head fell back, his face shaded, only from one side he is the brightness of the window.

The voice, his voice

They stay up with it, - you cherish en him

section. Very close up to one eye. We see his brown lashes, not very dense, the light can be one or the other light golden. The eyeball moves. Dream phase.

.. afraid, it might slip away. .. fear he might disappear.

moves now also the eyelid we see how opens the eye. The man awakes.

people like me. They are people like me.

... Dark pupil, veined whites of eyes slightly red. No great movement. The man looks back to where he saw when he opened his eyes. A second later comes unrest in his view

I would love to dream I would love to dream .

The alarm clock rings.

But one way or another ... but no matter what I do -

He turns to the clock, takes him in hand, looks at the dial.

I'm always awake ... I'm always awake.

section. Insert. We see how his hand is the Clock on the Kirschholztischchen side. An old-fashioned machine with a brass body and perlmuttschimmerndem dial.

passing, we recognize some objects on the tabletop.

phone, wrist watch, notepad , wallet, a phone, his service weapon. It is willing, but not reach. This is all he takes every day, and - oh, yes, and yes there is even a photo. We notice it when his hand from the clock withdraw. Half past seven.

The photo shows quite unmistakably him, much younger, slim, with cap and backpack. Beside him, also with a backpack, a pretty young woman, she laughs. They both probably in the trekking holiday, Nepal, or where young people go there so at least the steep green mountains in the background after.

Happy times.

The following are part 1C, 1D

2006-08 Russell Crowe - Det Cristofuoro