television movie scenes I tip Heino Ferch: mortal enemies - the wrong decision. Sunday 31 Oct, ProSieben, 04:05 clock Director: Oliver Hirschbiegel, 1998
image source and image rights cinema.de Click on the image to view it in its original context on cinema.de to consider .
The patrol officers Nico (Tobias Moretti) and Max Klaus Mann (Heino Ferch) are not only colleagues but also friends.
In a nightly routine traffic control, then the disaster: Nico mistakenly shot in self-defense - he thought the man had brandished a weapon - a car driver.
Max and Nico cover up the thing: put away the car and its body in a lake. The dead man, however, was an important witness against the Mafia - and on the way to the BKA.
Ironically, Max is detached to investigate this case and a member of the search group.
In his new boss (Michael Mendl), he finds a benevolent mentor. Max is in dilemma between duty and friendship service.
Nico, is divorced, can not cope with the separation and slipping more and more. The sale of the records of the dead to the Mafia, he wants to make big money. A dangerous project.
offtopic Munich Indoors 2010: The Lord of the far right is not clipped with Photoshop. he stands there and really looks to his wife Marie-Jeanette after filling out the jumping course.
scenes I .... thanks for the warning ... Part B: Robin Hood. Cate Blanchett - Lady Marian. Director: Ridley Scott 2009-10
Source: youtube.de Copyright: Universal Pictures International The images of this posting is only the second trailer of the film, which was published on youtube.de, removed. All images have to http://www.flmszenen.info/ in connection with the work of an independent voice the character of popular scientific claim observed by visual quotations and thus the limits of the Copy rights hotlinking of images is a breach of law. Universal threatens penalties 62000-302000 €.
"... thanks for the warning! ... Part B: Robin Hood 2010th Screenplay: Brian Helgeland, directed by Ridley Scott. Production: Universal pitcures, Imagine Entertainment Brian Grazer, Ridley Scott Free Productions Scott, Fear of God Productions Russell Crowe. 2009th
A bower . We are facing a heavy four-poster - state bed oak . The bed, large enough to accommodate a whole family is freshly made and richly furnished with pillows, according to the half-sitting sleeping position, which was common in 1190.
The blanket is folded back: an invitation.
A red Samthimmel spans the luxurious place to sleep and hinterfängt their head.
On the rear wall, a low pointed arch. Its heavy oak door is not far open.
Without them further impose joins Robin. He gives way to the door a little. It looks almost like he wanted as not to disturb. A look at the bed and the other in the room. He stops.
section of Lady Marian.
She stands before the open fireplace where a fire warms the room. She has a garment in her hand, she now throws with an impatient movement. She turns to Robin.
section. Medium long shot.
We're a few steps next to Lady Marian and now see that a fine chiffon scarf, decorated with gold embroidery, the space divides into two halves. The rear
Part contains the bed.
here now is also Robin. He passes over the border, which is the curtain, stops.
Here!
Does the lady and thus shows Robins roost.
cut to the designated body. Now we see that are willing to put the fireplace in the straw between the dogs of the lady a blanket and a pillow.
Robin looks back on the wretched camp . He stops completely calm. Lady Marian rushes past him to the bed side of the curtain. In the passage she stops, turns to Robin.
Robin had surrendered his eyes closed, now he opens it and turns to the to her.
Marian close, it has unfortunately not Friendliness , more determined fighting spirit. The beauty of her hair brown tide, her porcelain complexion and the charm of her half-open laced-up have no chance against her eyes narrowed to slits. She informed her "husband":
I sleep with a dagger.
If you so much as move to touch me, I will sever your manhood.
You understand?
Oops. Do we understand? .. I disconnect you from your masculinity ... has said it.
Cut to Robin.
He understood.
The threat did not intimidate one, he is not even play in condescension or feigned indignation a hierarchy struggle. He stands there so relaxed that we are His body opening, a kind of vulnerability, feel.
One of the big dog licks his hand. The fire crackles
.
With a quiet voice, almost quietly, almost without any hint of irony, he accompanied his words with a polite little nod
Thanks for the warning.
Cut to Robin.
The quiet opposite of aggressive attitude, shoulders relaxed, yes, we also see the laces of the brocade shirt open at the neck, indeed, also recognize the quiet Gleam in his eyes, highlighting the golden reflection of the candlelight, so we feel the attraction of an attitude that repels not are not small, but makes calls not dull or struggles for dominance ...
... so we uh, we ..
.. but what we already know . We are not the Lady .
now this takes a determined gesture, the edges of the curtain ... ...
and - disappeared.
With gesture angrily tearing them drawn the curtain on Robin's face. We hear the little iron rings on the guide rail metal . Pop
section.
We are on the inner side curtain for Lady Marian. Here there is gloom. The curtain, although only chiffon, the room closes the bed of state to the light of the fire.
Cut to Robin.
He goes to his place in the straw , accompanied by dogs.
We hear how he makes known his bed fellows.
Hello, dogs!.
says he wants to and settle.
A look to the curtain can stop him. He straightens up.
Lady Marian has an ignition voltage lit a few candles. Probably without realizing it to be aware, it has thus created a magic lantern for a shadow play that Robin will prepare at least for the eyes is not without pleasure.
We see the silhouette of Lady Marian . She strips off her overdress.
Robin settles in front of the fireplace rested his head on his hand. He is dressed. The great hunting dog that licked his hand before, lies down to him immediately and can scratch themselves.
Robin sees his brittle Conjunx now for the first time how God created them. It verges on the transparent dress over her head. Her waist-length hair is now almost their flood last clothing.
Robin lets his gaze for a moment to rest on the play, then he looks away, turns on his back and closes his eyes. The dog pressed up against him and likes to be liked Robin's hand on his coat.
comment dramaturgy (the theory part) - representing the object: The scene is accompanied
subtext Layer of representing objects in the comments during the erotic relationship in the scene.
Part A:
the sword. The sword, the scabbard, the buckets - are in a classic Freudian interpretation, of course, representations of masculinity. Robin considered unsheathed the blade, while he waits of Lady Marian. When he hears them coming, he pushes back the naked sword in the protective sheath .
He is the weapon aside , as he deals with the Lady on both vorzuspiegelndes nuptials - a ploy to convince the servants - has.
Again take the sword of Robin when he is asked to follow the lady in her bower to the nuptials. The inscription Lambs and Lions commented this humorous the role find of the two as husband and wife.
Part B:
The dogs were introduced to us at the end of Part A as a property of the Lady, your hearing, even more, they belong to her, yes, they represent a part of it .
So the subtext is layer of the representative object dog in exact Konterkarierung the text layer, the rejection, denial communicates.
The Hound of the Lady by contrast, which would be in this situation, the obvious .
He approaches to Robin trusting, he licks his hand (istgleich a step closer) he egt l immediately to him, he shares his stock and he can to with great relish by Robins Hand scratch. The object representing dog makes symbolic to the rest of the story a anticipation, we do not intellectually, but should understand very well emotionally.
echoes of the Nibelungenlied:
1. Both the story of Robin Hood, and the Nibelungenlied the genre of heroic epic are assigned to the accents are not the literary power of a natural poet, but stresses the roots of the narrative substance in the oral tradition.
second The localization in Cisalpine forest and the time High Middle Ages give an indicative framework for securities on the Nibelungenlied. Both stories are about 1190 .
third Occasional we find content parallels or similarities: in the Nibelungenlied cherish the dwarfs in the forest a hidden treasure. As an allusion to the dwarfs can children in the forest recognize that as an adolescent are also a kind of dwarfs. The treasure that keep these "dwarfs" is freedom, equality, fraternity, explained as Lady Marian at the end of the film then, when she, Robin and the followers with the children - the dwarves in the forest - Abode found.
4th in both stories is playing a special sword a central role . In the Nibelungen saga, it is Balmung, in Robin Hood contains the sword the contract to the heroes : RISE AND RISE AGAIN
UNTIL LAMBS BECOME LIONS.
5th Especially on the relationship Brunhild - Gunther as the above scene with Lady Marian-Robin . Even Bruno, with unusual powers, refused to Gunther, the first night of the nuptials in a similar way, they also forced her husband to wait empty-handed.
Both female characters break with the contemporary role model in terms of independence.
obtained in both cases the man only access to it after he proved his power and ability . In the Nibelungenlied, there are stone's throw, long jump and javelin throw, here is one of Robin Improvement of the conditions expected. Robin save the estate and all the people who live on it, by bringing back the seeds. The seed grows up to be cereal and ensures the survival of all.
The scene described by us " Thanks for the warning. . "is less than three minutes - the whole film lasts two and a half hours - and yet it is storytelling on several layers text-Acting symbolism packed extremely rich and dense.
2009-10 Russell Crowe (aged 45) - Robin Longstride / Sir Robert Loxley, Cate Blanchett - Lady Marian Loxley, Max von Sydow - the venerable Sir Walter Loxley, Marian's father
- - -
offtopic
film tip.
Piano Mania. Some highly talented people are looking for 90 minutes something they can see and hear, we average people do not. We see "the invisible" through their eyes, and hear the inaudible to us through their ears, the perfect tone. ... And go at the end inspired from the movies. Beautiful Mind see - love, perfection and a small bit of madness.
With Stefan Knüpfer , Lang Lang, Alfred Brendel, Pierre-Laurent Aimard, Till Fellner.
" From blue-collar jacket for support from rebellious foreman to erect works - Frank Sperber is lately, within easy reach of the power in his company.
He wants the best out of himself and his buddies of the so-called "boiler". It is rumored that this part of the work will not be held. Are there layoffs? If the boiler is sold? Or made right in the thick? "(...)
to catch the eye and understand - a few TV movies hold such a principle was aesthetic that runs through the story and, as with scenes, situations, and the play of the actor.
Fischer & Co employ different motives and styles: there is a works its way as in the times in which there are red flags looked even better, as is the intro the same with thrill gone to the point, because some mirrors of the German business scandals of recent years in of action again, as betrayal, blackmail, and love are in the game.
fact that the film with all these ingredients does not fall apart, that's the merit of a prudent director. And it is the attention to detail that has made this homogeneity of the inhomogeneous. A strong, vital, gripping film "
Louise holds the cocked gun clasped in both hands and aimed at the extended arm on Stoor. The second bell, they can become unsafe. What to do?
Stoor, pleading and even in a little impatient:
I am waiting for someone ...
He urges:
Please! I expect here is a lady.
Louise carefully goes a few steps to the side. The weapon is aimed at Stoor. Stoor raises his hands, tried appeasement. Many steps to Louise by the apartment door. We see him disappear from the image. Louise remains in the doorway of one of the next room, slowly lowers the gun.
you breathe out - fatigue after exertion - and hiding now so far behind the doorframe of the room, that they of course can not be noticed immediately.
We see Stoor, he looks after her while he opens the door with his left hand. He takes a step backwards ...
... and screams.
We see how high flying scraps of fabric from his chest, listening to two shots.
Louise pulls you close up on the eyes, horrified, disappears in the room.
cut on Stoor.
He falls to the ground.
look to the door. A large man came running out. Dressed in black, black gloves, zurückgegeeltes hair. With his left hand he holds a young woman. He pushes her a black hand over her mouth, she pressed against his shoulder, forcing them to move half-way back to him. The rights we can not see, but says his attitude, he does not always Stoor.
cut back on Louise. Her terror tells us that obviously really happens, what we see. The intruder throws the woman next Stoor on the knee. As she falls, he pulls out the gun and fired twice. The silencer makes the shots aufpfeifen dull, we see the muzzle flash.
The man near, he turns his head. Apparently he heard a noise. Louise was not quiet enough.
The man seeks the living room, looks around slowly. The other rooms. Now he begins to walk towards Louise. She turns around. She seems to run into a room. Silence. Your hair glides through the picture, then we'll see how it expresses itself in a window frame. Their fear is so great that she moans softly.
The man comes closer, raises the gun. He is close to the door frame.
We look through his eyes, he scans the surrounding area. Come closer. Can the jamb behind. The bedroom opens to full width. He sees Louise with a gun in his hands. She draws back a step.
a shot.
Louise burst image.
A wall mirror. The man had held Louise's reflection of reality.
section.
We in the room with Louise. We see them behind a curtain . In the doorway of the killers. He still aims at the point where just the mirror Louise Picture emerged.
As the man turned away from the mirror endeavors to cut off to Louise, she shoots. The shot was deafening. We see the Schmauch pull out of the muzzle of the gun. Louise ducks during the shot.
The man collapses like a bear after the shoulder shot. His weapon is sliding across the floor.
section.
later, when Louise is waiting for the police, she looks down at the door Hakansson. He looks up to the apartment. We sense: The killer came on his behalf. He should get the insider and Louise to eternal silence.
After the scene.
Louise will be for days at the police station held until it is clear that they acted in self-defense. Louise, the police can not move to investigate further after the links between the pharmaceutical manufacturers Roeprox and human trials in Mozambique. Not enough evidence, enough evidence. A final conversation with Hakansson ends with the sad result:
The end justifies the means.
In this case, the purpose of developing an AIDS vaccine, which protected the inventor country, Sweden by Roeprox worldwide licenses and billions in profits. Holloway and Xei-Xei were just cogs in this machinery. Suicide? Hakansson had to be killed Holloway, as Xei-Xei was too hot.
2009-10 Heino Ferch (aged 46) - Dr. Holloway, Iris Berben - Louise Cantor, an archaeologist and mother of the investigative Henrik Cantor, Michael Nyqvist - Lars Hakansson, Swedish diplomat in Mozambique
are similarities in the plot material is about: The Trojan Horse . "Son reporter Helen Madigan (Greta Scacchi ) uncovering elements of political intrigue as she follows leads into the murder of her estranged; " in both cases, covers a courageous woman, an archaeologist here, the mother of an investigative Journalists, in The Trojan Horse an investigative journalist and mother also the background to the murder of her son.
This is abuse of power by illegal human experiments, made possible by the power differential Europe - Third World country in the Trojan Horse is about abuse of power (" President Stanfield ( Tom Skerritt ) using any means necessary to justify an invasion of Saudi Arabia in order to halt China's oil supply . ") to gain access to oil resources.
echoes of motives of the film The Insider with Al Pacino in the role of investigative journalists and Russell Crowe in the role of an insider, the whistleblower, are suggestively felt in the figure of the Insiders Stoor and also in the setting that introduces the chapter on "Insider": the plot begins in two cases with a view from inside the tissue of a substance, of the blind the Progatonisten is to recognize the identity of the other parties can not.
in min 68, Part 2, as Louise Cantor from the pharmaceutical company Roeprox waiting for the Insider, we hear background music, which points out quite distinctive in Tom Tykwer's film music style, as in hibernators .
under the producer Dr. Matthias Ash HF had the movie "Coma - between life and death" was filmed.
