Source & Copyright: Universal Pictures / Miramax / Imagine Entertainment Brian Grazer
... No! ... Part 1C in "Cinderella Man - Cinderella Man. Rene Zellweger - Mae Braddock. R. R. Howard 2004-05
Listening instead of Reading: Audio.mp3-> to immediately hear
Mae is beside herself, she seems to cry. Again,
You can not work!
your hand is broken!
Jim gets up and goes to the wall. There is a shelf.
Jim
When they see me with the plaster, then I will not because you're right. At the port and not anywhere else.
He reaches the shoe-shine box to the left from his shelf and keep it up.
We make it black.
with shoe polish.
OK?
He wears the box by the handle to Mae and sits back against the old armchair of his wife.
insert. His hand reaches for the polishing cloth and a flat box with shoe polish.
The little Rosy is waking up, going softly to the passage. She watches the scene between Jim and Mae. We see the child, alone and quietly hidden behind a pillar, is afraid. It witnessed his parents in desperation and in great concern, not to survive financially.
Rosy will not forget this moment for the rest of their lives.
Jim opens the can and they are Mae. We hear his breath, we feel he is under pressure. He is excited. Suddenly he stops.
Mae looks at him. does your view his zealous bustle suddenly brought to a standstill.
Mae are tears in his eyes. We see, she wants her husband to say something. Even more words about the situation that he should not do with the color that it has no sense that he ...
She says nothing.
insert on the hands, on Maes hands in plaster and Jim's rights.
Mae reaches for Jim's finger, which is not covered by plaster. We can see their movement: it makes a last attempt fail to respond to Jim's request. At the same time to console her husband, she seems to want to.
section on Jim's face.
That was too much.
Now he is crying. No, he does not break down, he does not even have tears, we see only the helplessness, the pain that he must do this to his wife.
It acts as if he was not only fully aware of the extreme hopelessness of the situation. Furthermore, that this last attempt to simulate work capacity, has only a small chance - it may appear, as if he felt guilty.
cut on Mae.
Mae no longer crying. She lowers her head, looks at it. It has suddenly decided to strong-willed, .
Once again, we look Jim in the face. He seems to want to say something. I can not. His mouth is open, he moves his lips, but we do not hear a word.
We're waiting.
Finally.
He shakes his head. Jim:
I'm so sorry.
Mae, she feels for her husband, but she says.
No.
Not .
not, he should not. He should not think (he should not think), he is to blame.
He is still without support. He cries.
Mae - We see her face close. It pushes away the compassion, determination, jumping forward, against her husband.
From the soft, delicate No of-passion
is a clear word, almost an order:
No!
Jim's eye notices that something is changing. He feels a moment toward their resistance
lowers then his head.
He breathes deeply anxious breaths.
Mae at him, she feels with him, but she stays with her:
No!
She shakes her head resolutely,
No.
She puts her face to his and kissed him.
cut on Rosie, the little daughter. She still looks wide-eyed to their parents. She has just learned about the strength of their mother.
Mae sits on Jim's Lap, as she has always done. She puts her hand on the back of his head (neck), as it has always done. She smiles at him, as before.
A second kiss.
Jim understands that there is no guilt.
That there is nothing to forgive. (That there's nothing to forgive.)
that it just happened.
fate.
Things happen.
Jim wakes up. Quickly does it because he smiles again.
Somehow will continue. Tomorrow, next week and next year. With it (him), with Mae and with the children.
2004 - 2005 Russell Crowe (aged 40) - James J. Braddock, Renee Zellweger - Mae Braddock Ariel Waller - Rosy rosy cheek "Braddock.
RC about his wife in the Jonathan Ross Show May 2010:
"that's why I married the girl."
- -
this time the lesser of two evils is google translate->
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